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Well Into Winter

by Well Into Winter

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    Debut self-titled album on 12" black vinyl. Gatefold cover with lyrics. Courtesy of Gorge Swimmer and Program Records.

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1.
Elephant Eye 05:00
on the roadside stands a bird lowly in its lonely world for the warm night rose again foaming at the red horizon in the office chair bleeding cash daydreams of the mountain ash in the tram car crushed beneath the screaming sound and gnashing teeth my Delphic disguise my elephant eyes remember you between shadowed streets remember how much i loved you there’s jewellery beyond the case the taller glass holds like a vase cut and placed paid by the hour daydreams of the field of flowers time tallied and trialled my elephant eyes remember you neath the bristling leaf remember how much i loved you time to lift and glide back to where the sky’s wide and petrified time to wake and rub elephant eyes it’s cool enough to see the breath the morning clouds turn pink and red the bird begins to fly again remembering how much he loved to
2.
When You Go 02:50
grew up on the riverbed asleep to the sea when you bore of that same river i fought disbelief for what’s six hour’s drive is eleven on the train less than one minute’s needed to proselytise the brain when you go i’m not sure of myself i entertain the blues when you go i’m unsure of myself but i’m sure as hell more sure of you grew up on the softer side of sediment and drought you came through like a clearing rain and bailed my motor out now i spend my days afloat that river of our youth and each current i kick against draws me straight back to you when you go i’m not sure of myself i entertain the blues when you go i’m unsure of myself but i’m sure as hell more sure of you when you go…
3.
The Trick 04:06
housemates all mutter hear through the walls fucking and flutter and smoke in the halls sometimes their laughter’s abrasive as salt thirsting for what it is i haven’t got cause when you tell me to be happy i’ll ask ‘for how long’? cause sometimes it’s gone by the end of the song and the trick is to know not to follow it on cause even the best of friends need time alone her mates are cooking and it smells alright i’m thinking I might haul myself into sight it just takes one look and i’m back there again confidence shown and then hubris condemned and you tell me to smile but babe isn’t that a lie? like whitewashing textbooks or painting the sky and the trick is to wait till i’ve turned out the light and cast this unstable expression into the night now we are out drinking and sometimes it’s fine i’m thinking i’ll turn all this warning to wine when i cross a phrase that’s half whispered, half cried they’re selling me stories and i keep on buying and you tell me i’m dreaming and i know that you’re right but I’m wrapped up with ropes that they tie in the night and the trick still eludes me all i’ve got’s a light but I burn my own skin every time i unwind every time i unwind
4.
Mortgages 06:11
she and he: -were living in each other’s lives -trying to forget each other’s eyes -following in footsteps now she’s just smoking in a nightdress and i’m alone wondering what to take from all this she’s on the phone and i’m hearing words i never heard out of his mouth before and i’m wishing that it was the way it’s told she and he: -married without purpose -proved to us it’s worthless -living an apartheid now she’s calling me up just to cry and i’m alone rolling up the ends of my rope call it selfish if you want but i am far past the point where i’m of any possible help why’s it never the way it’s told? now he’s living in another house and she’s just trying to keep from clawing her guts out those who know know not so expect so much and those who don’t hang around in open mouths and i’m alone in my expectations of love shut down the show if this is the best of it then what’s left for the rest of us? what’s the point in telling it any way at all?
5.
dinner party 3am all our friends are gone it’s just you and me again i’m on the carpet you’re on top of me and i can’t tell anybody how your body feels so I’ll sing: i want you the moment that i wake up you break me every time we break up you’re shaking every time we shake up it’s making excuses hard to make up it’s not as though i’m dumb or mute but at a certain point i just don’t know what else to do circuit breaker search for me i’ll be the one with the water lapping at my feet till i’m sick i want you the moment that i wake up you break me every time we break up you’re shaking every time we shake up it’s making excuses hard to make up and i’m aching when i reach for a cup and it’s taking up more time than it should take up is faking the same as habit breaking? can forcing ever be the same as forsaking?
6.
she like a warm afternoon drifting slowly to pallid cool evening distant and magical upright, intangible easy to talk into strict blurry microphone covered by blankets i treated her normally courted her indices wrote on her pages in soft calm calligraphy all on the inside and almost invisible could she be native to feelings of careful control? early one morning i was drunk like a teenager stuck like a wedding cake upturned on the counter i couldn’t conscript the dull drift of a mad conversation unshaken, what was I hearing? transfusion of signals of words to a meaning as she lay there bleeding found by sad strangers that side of the world held a dark twisted weather she’ll stay in that moment forever and ever blended sentiments of candid acceptance paves to the amazing eroding arrangement of anger so startling it scares you to mention it wish i could bury it deep with her memory and did she remember me or anyone dear? when building the courage that would later disappear can’t help but question the fight like a referee blind to the whole other bias incendiary logic placating just waiting and waiting for life to improve like and old laptop loading screen if it was all in the instant then why were there no bright reminders or tears on the pillowcase? we all want to wonder! we all want to grieve! we all want to sink into the earth to our knees! should we spit on the ground? is it our way of being? perhaps like a bushfire it changes with the season? she wanted a reason! she couldn’t describe! just a thick wall of concrete to dam the disguises! we’re simply left asking was she in the right? taking solace in solitude, restless respite… they say love is all you need to realise your worth but i’ve never been hurt so much by anyone i didn’t love
7.
i hope to god that ain’t all you’ve got i wish and pray the time away i hold you close (you comatose) failure fear can scare a man to shame but gentle hearts are few and far between and careful words can bring you to your knees the time we share seems barely there it stutters like a roo in lights the hour may come you turn to run or draw the strength to stand and show your face gentle hearts are few and far between i only harbour hope that i believe in and careful words are all that you may need when gentle hearts can bring you to your knees
8.
if we go beyond the bluffs will the word become enough? where the eddies boil and the seafoam coils from a mist into a lump inside my throat there is a secret so tidal i’m sure i never could keep it though we know what’s next you slip from net to net and i’m swimming out of breath if we go beyond the bluffs might i shed my sore skin of this sickening slough? or is the rip so dense as to obscure all sense will i be left wondering what it was that you meant? what was meant by everyone it was that i ever met when i went?
9.
So 06:58
so we met somewhere delicate and strained so i knew your body almost before your name so i learned the way you craved your skin be traced so i couldn’t know i wouldn’t be the same so i’d felt before the folly and the fall so childish, the dolly and the drawl so tangled up like fairies in the drawer so sickly sweet i’d wait for you to call so deeper down the rabbit’s den i rolled so we spent sometimes dancing, sometimes sure so sunstroked my body forced a yawn so your eyes were blinding as the dawn so mostly i just kept my curtains drawn so it seemed as though you’d never known the taste so bitter like a lemon i became so from within your love came the rattling of a cage so silently the bars began to break so patient in your patching, so contained so i guess i never really learned to change so now when in the foreign, falling rain so distant to the calling or the claim so i lost you to non-existent pain so you might not be blameless, but who is? so i know, too, i’ve caused a mess of tears so dripped down our faces like the years so swiftly spent, some haunted, most sincere so secretly i plan around the game so sometimes i want better for you baby so know i hope to never see your face so i won’t know you cried and turned away so softly so wrong so long
10.
second mandarin peeling still drunk on the juice of the first brittle and dry and as hard as a diamond it tastes like a lesson unlearned coffee is never so bitter as laying awake and alert incapable of escaping the day without feeling like breaking the dirt but turn the light out anyway i've got nothing left to say something about that old story makes me drip from my lips like a hound almost ran late for our first sticky date couldn't wait to get you out of town i hear the pasta sauce singing drowning in old cooking wine i once had a friend who enjoyed a dry red but i just didn't get there in time but turn the light out anyway i've got nothing left to say and if you leave the light on for me i'll just use it as an excuse to eat Will's showing off his new baby with a freshly baked banana bread while George's doting i've picked up the loaf and poured it down the hole in my head in my dreams i'm still a child and i'm not much older when i wake so if you see me stirring the soup, honey you can be certain i've made a mistake turn the light out anyway i've got nothing left to say and if you leave the light on for me i'll just use it as an excuse to eat

about

Debut LP from Well Into Winter.

credits

released January 6, 2023

Well Into Winter is:
Jayden Dunne: Acoustic Guitar, Electric Guitar, Piano, Busilacchio Organ, Hammond
Alex Cameron: Vocals, Acoustic Guitar
Jeffrey Burr: Bass Guitar
James Eggleston: Drums and Percussion

Featuring Maggie Rigby on ‘Gentle Hearts’, singing and playing Banjo.

All songs by Well Into Winter.
Recorded to tape by Alex Bennett at Sound Recordings in Campbells Creek, Dja Dja Wurrung Country.
Mixed by Alex Bennett and Well Into Winter.
Mastered by Joe Carra at Crystal Mastering.
Released by Gorge Swimmer Records.

Cover photographs by Lewis Ayton.
Design by Sophie Cochrane.
Fonts by Alex Croft.

Thankyou to anyone listening x

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Well Into Winter Melbourne, Australia

AltFolkRock from Naarm via Albury/Yackandandah.

Debut LP out now.

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